Bill Rancic Defends His Wife Giuliana After Fashion Police Controversy: 'I Tried to Get Them to Release the Footage' 41 years, 2,185 covers and 55,435 stories from PEOPLE magazine's history for you to enjoy
- WATCH: Eli Roth Ditches Horror Movies for a Love Story About ... Sharks?
- Read the Cover Story: Growing Up Kennedy!
Exclusive Family Photos from White House Nanny
- Quad Webb-Lunceford Dishes on Lisa Nicole Cloud Married to Medicine Drama: 'There Is No Relationship'
- #TBT: Princess Diana Went to the Back to the Future Premiere 30 Years Ago
- From EW: Dierks Bentley Premieres Official Live Video for 'Riser'
On Newsstands Now
- Matthew McConaughey: In His Own Words
- Jessa Duggar's Wedding Album
- Brittany Maynard's Final Days
Pick up your copy on newsstands
Click here for instant access to the Digital Magazine
People Top 5
LAST UPDATE: Tuesday February 10, 2015 01:10PM EST
PEOPLE Top 5 are the most-viewed stories on the site over the past three days, updated every 60 minutes
- October 22, 1979
- Vol. 12
- No. 17
To Eric McMillan Even His Toughest Work Is Child's Play
Since laying out his first playground seven years ago, McMillan has built six major recreation areas in the U.S. and Canada (where he now resides). The costs have ranged from $150,000 to $1 million; now his newest design, Sesame Park in Middletown, Pa. is tabbed at $7 million. A joint venture with Busch Gardens and the Children's Television Workshop, it is due to open early next summer.
Though they may be related to the simple swing, slide and monkey bar, McMillan's contraptions are as distant from their schoolyard precursors as Moonraker is from a paper airplane. At Marine World in Redwood City, Calif., McMillan installed several cable-hung ladybugs, which children grab onto and glide 60 feet across a lagoon. There's also a sliding board wide enough to hold a dozen tumbling kids and an enormous net that looks like the web of a sci-fi spider. The idea is to inspire activity. "A child needs play areas he can affect directly with his senses and curiosity," says the British-born designer. "To a child, play and learning are the same process."
The son of a Manchester laborer and a cleaning woman, McMillan had few playthings as a child in World War II Britain. Instead, Eric, his brother and sister used their imaginations while roaming about the glass and rubble of the bombed-out city. The family moved frequently, with Eric attending nine schools in nine years. He was nearsighted and began focusing his attention on private doodles rather than the blackboard. At 15, hardly able to read and write, he dropped out. He might have become a life-long laborer if a youth counselor hadn't taken note of his inventive drawings and encouraged him to enroll in an art school. Eric won a scholarship.
Three years after graduating with honors in industrial design, McMillan was hired as an exhibition designer and brought to Montreal for Expo '67. He moved on to Toronto, where he fashioned an urban recreation center and eventually settled with his German-born fashion-designer wife Rosemarie and their two children.
With his reputation established, McMillan now contemplates radical changes in leisure. While crediting Walt Disney as the formative genius of play in this century, McMillan nonetheless regards the Disney parks as passive enchanted forests of hardware. "We've begun to realize that machines [powering rides] aren't the total answer," he says. "We have to use more of our own personal energy—and that goes for play." McMillan's Sesame Place, for instance, will feature computerized talking typewriters that challenge young minds to fit sentences together. But what he's really waiting for is the chance to build a playground for adults. "If adults played more," McMillan says earnestly, "there would be far less fear and more understanding, because play is an open and honest exchange."
Treat Yourself! 4 Preview Issues
The most buzzed about stars this minute!