Star Tracks: Monday, May 16, 2016 42 years, 2,191 covers and 55,436 stories from PEOPLE magazine's history for you to enjoy
- Stunned Minnesota Community Mourns 5-Year-Old Abducted and Strangled: 'We Just Want to Know Why'
- Read the Cover Story: The Gosselins 10 Years Later: 'So Much Has Changed'
- In Love – But Very Tired! Megan Fox and Brian Austin Green's Life with Newborn Son Journey
- Mady and Cara Gosselin Open Up About Their Estranged Relationship with Dad Jon: 'He Doesn't Even Know Us'
- Renée Zellweger Says the Scrutiny Over Her Appearance is Sexist: 'Why Are We Talking About How Women Look?'
People Top 5
LAST UPDATE: Tuesday February 10, 2015 01:10PM EST
PEOPLE Top 5 are the most-viewed stories on the site over the past three days, updated every 60 minutes
- December 01, 1980
- Vol. 14
- No. 22
Young, Talented and All Female: That's the Unusual Primavera Quartet
As it is, the ensemble is one of the newest quartets (formed in late 1975), youngest (average age: 25) and most photogenic (they were cast in the film Oliver's Story, but their scene was cut, and Arthur Miller considered them for his controversial TV movie with Vanessa Redgrave, Playing for Time).
The Primavera—named for Botticelli's famed painting—is an outgrowth of a friendship between cellist Melissa Meell and violist Diann Jezurski. Meell, 25, who comes from a nonmusical Baltimore family, became fascinated with the cello at 8, while attending a Philadelphia Orchestra concert. At 16 she enrolled in the Manhattan School of Music, but soon quit to become a free-lance musician. Jezurski, 27, took up the viola in third grade in her native Albany, N.Y. and at 15 was the Albany Symphony's youngest member. She dropped out of Rochester's Eastman School of Music "because stress wasn't placed on chamber music."
The two women started playing duets after meeting at a 1972 summer chamber music festival. "But there's not a whole lot written for just cello and viola," notes Melissa. "We needed violins to play quartets." First to be recruited was Martha Caplin, 29, who grew up in Cleveland, where her father was a renowned voice teacher. "I wasn't born with a set of Stradivarius vocal cords," she says, so she took up the violin. She was a soloist with the Cleveland Orchestra before earning a master's from Juilliard. Finally, Deborah Berlin, 21, joined Primavera last year when the group's second violinist opted out. Berlin, the daughter of a South African surveyor who left Cape Town for political reasons, has lived in Holland, Israel and Australia as her family sought new roots; in 1977 she appeared on the same program in England with the original Primavera. When a replacement was needed, Berlin was the unanimous choice.
Since the quartet receives just $2,000 a concert, the women free-lance 10 weeks a year as members of Frank Sinatra's orchestra. "We once heard him tell his bodyguard how much he likes Itzhak Perlman and Pinchas Zukerman, so we figure he's into chamber music," reports Caplin, but the singer has yet to attend them in concert. Still, the extra pay helps the women afford separate hotel rooms on their 40 or so Primavera dates a year. "There's a basic need to maintain individuality," explains Caplin. But they treasure their moments of musical togetherness, Meell adds: "Finding musicians to play with in a chamber quartet is like getting married, only harder—it's a divine polygamy."
Treat Yourself! 4 Preview Issues
The most buzzed about stars this minute!