Bill Rancic Defends His Wife Giuliana After Fashion Police Controversy: 'I Tried to Get Them to Release the Footage' 41 years, 2,190 covers and 55,436 stories from PEOPLE magazine's history for you to enjoy
- Alfonso Ribeiro to Fill in for Tom Bergeron on DWTS While He Stays by Sick Father's Bedside: Source
- Read the Cover Story: At Home with Donald Trump and Family!
- Caleb Logan of the Popular YouTube Family the Bratayleys Has Died at the Age of 13
- It's a Girl for Alaska: The Last Frontier's Eivin and Eve Kilcher – See Her First Photo
- Rachel Zoe on Being a Mom of Boys: 'I'm Surrounded by Testosterone'
On Newsstands Now
- Matthew McConaughey: In His Own Words
- Jessa Duggar's Wedding Album
- Brittany Maynard's Final Days
Pick up your copy on newsstands
Click here for instant access to the Digital Magazine
People Top 5
LAST UPDATE: Tuesday February 10, 2015 01:10PM EST
PEOPLE Top 5 are the most-viewed stories on the site over the past three days, updated every 60 minutes
- May 09, 1983
- Vol. 19
- No. 18
Actor James Stephens Is Up to His Neck Again on Paper Chase—but This Time It's on Cable
That might have been a mixed blessing for viewers, but Showtime's The Paper Chase—the Second Year has turned out to be an unmixed delight. As literate and affecting as ever, Chase also may be the first cable series whose production values—nearly $500,000 was spent on each episode—match those of the networks. Stephens grouses that not enough was spent on actors' salaries (he was offered little more than $3,000 per show), but he didn't hold out long for more. "I needed the job," he says candidly. "And I wouldn't have given up the chance to work with these guys again." (The other returnees are Houseman; Stephens' close off-camera friend Tom Fitzsimmons, who plays the aristocratic Franklin Ford III; and James Keane, who plays easygoing Willis Bell.)
Though the series now seems inconceivable without him, Stephens, whose sense of humor is delightfully offbeat and sometimes profane, was in some ways an unlikely choice for the role. Once a self-described teenage "hellion," Stephens never went to college, much less law school. "I hated school," James admits. "I'm a non-degree person. If I weren't an actor, I could probably move furniture."
Born in Mount Kisco, N.Y., the youngest of five children, Stephens grew up in Mexico, where his Russian-Jewish immigrant father (his mother's background was Scottish Quaker) ran a factory for auto-tire components. When he hit his teens James was sent to a boarding school in Arizona, where he met—and proposed to—fellow student Priscilla Taylor. "I thought," says Stephens, "that we'd move back to Mexico and have 10 children. That was until she told me to go to hell." Remembers Priscilla: "He wasn't a very good student. He was always saying to me, 'Come on, Priscilla, let's go to the creek and ride horses.' He was always trying to lure me away."
After graduation James went bicycling in Spain before enrolling in a small Boston theater school. Then, after a three-year absence, Priscilla called. James soon trekked to San Francisco, where Priscilla was a Berkeley student, moved in with her and started studying at the American Conservatory Theater (ACT). They moved to L.A. in 1972 and married a year later. At first James refused TV work—until their money ran out. Then he accepted a McDonald's commercial and a guest role in TV's How the West Was Won. He landed Paper Chase in 1977. (Priscilla guested once on the CBS series and will appear in another episode in September.)
The show allowed James and Priscilla, 31, to move from L.A.'s smoggy Echo Park to ritzy Pacific Palisades, where they're raising 2-year-old daughter Taylor. James' taste for Mexican artifacts is obvious in their Spanish-style home. They entertain at home (Stephens is a gourmet cook), though James has a passion for mariachi bands, which he searches out in some of the seedier sections of L.A.
These days Stephens worries as little about his thinning hair ("If it gets worse I'll get a wig—or take up fishing in Oregon") as he does about being typecast in "intellectual" roles. One was the 1981 Jill Clayburgh-Walter Matthau movie about the first female Supreme Court Justice, First Monday in October. He was Clayburgh's law clerk. "I'll play every lawyer until I do a Justice of the Supreme Court," Stephens says emphatically. "I just want to play interesting roles—I don't care what they are." As Kingsfield might say approvingly, "Case closed."
Treat Yourself! 4 Preview Issues
The most buzzed about stars this minute!