Bill Rancic Defends His Wife Giuliana After Fashion Police Controversy: 'I Tried to Get Them to Release the Footage' 41 years, 2,187 covers and 55,435 stories from PEOPLE magazine's history for you to enjoy
- Hilary Duff Totally Loves This New Web Series About Dating … and You Will Too!
- The Best Photos from the Week of July 27- August 2, 2015
- Ben Affleck Nanny Christine Ouzounian 'Is Coping Fine' Amid Affair Allegations, Friend Says
- Hello (Again), Dolly! The Singer Headlines Her First Nashville Concert in 13 Years
- Texas Neurosurgeon Charged with Assault for Botched Surgeries
On Newsstands Now
- Matthew McConaughey: In His Own Words
- Jessa Duggar's Wedding Album
- Brittany Maynard's Final Days
Pick up your copy on newsstands
Click here for instant access to the Digital Magazine
People Top 5
LAST UPDATE: Tuesday February 10, 2015 01:10PM EST
PEOPLE Top 5 are the most-viewed stories on the site over the past three days, updated every 60 minutes
- December 26, 1983
- Vol. 20
- No. 26
Five Buried Treasures from the Master of Suspense Prove to Be the Movie Event of '83
He'll never know how well his plan worked. Rear Window, with James Stewart and an astonishingly sexy Grace Kelly opened this fall for what its distributor, Universal Classics, figured to be a modest run. The gross is already $3.2 million and growing, and the just-released Vertigo, with Stewart and Kim Novak, may surpass it. The industry was stunned by this success, but not Stewart, now 75, who starred in four of the films. "The pictures I made for Hitch don't date," says Stewart. "He made his impact visually, not with words."
Another Hitchcock surprise emerged in the form of Donald Spoto's 1983 Hitchcock biography, The Dark Side of Genius. Spoto's Hitchcock, created from interviews with the director's friends and colleagues, is a figure of uncommon perversity, a man who played cruel practical jokes on actors, whom he called "cattle," and who became pathologically obsessed with creating the ideal beauty.
The cool, blond elegance that he sought he found in Grace Kelly, the star of three Hitchcock films. When Kelly deserted Hollywood—and by extension Hitchcock—to marry her Prince, the director was devastated, says Spoto. He set about recreating her through such actresses as Kim Novak, Vera (Psycho) Miles and Tippi (Marnie, The Birds) Hedren. Sadly, the Byronic heart of this fat, balding man (he carried an average 300 pounds on his 5'8" frame) could find expression only in his films. By his own admission Hitchcock and Alma, his late wife, had lived chastely for the last 30 years of their 53-year marriage. Marnie screenwriter Jay Presson Allen said Hitchcock "would go off and have his fantasy romances, and Alma dealt with it. She didn't understand it, but she dealt with it." The Kelly clones found detachment a bit harder to come by. When Hedren rebuffed an unprecedented (for him) overt sexual advance from her director, he threatened to cancel the film and destroy her career. "I was agonizingly sorry for both of them," said Allen.
Perhaps inadvertently, Spoto's revelations have at last given Hitchcock a kind of romantic image in death that, in life, he could conjure up only onscreen through such actors as Stewart, Cary Grant and Sean Connery. Shirley MacLaine, who made her movie debut in The Trouble With Harry in 1955, seems a little disappointed she didn't know that Hitchcock. "The whole time we shot the film he didn't say one word to me."
Who was the real Hitchcock? No doubt Hitch would have loved keeping us guessing. "Suspense," he said, "is like a woman. The more left to the imagination, the more the excitement."
Treat Yourself! 4 Preview Issues
The most buzzed about stars this minute!