Archive Page - 08/16/13 41 years, 2,173 covers and 55,054 stories from PEOPLE magazine's history for you to enjoy
- Super Bowl 2015: Katy Perry's Halftime Show Includes 4 Wardrobe Changes and 22,000 Crystals (PHOTOS)
- The Style Top 5: Sarah Jessica Parker Brings Her Shoe Line to Zappos, Katy Perry Preps for the Super Bowl and More
- The Style Top 5: Sarah Jessica Parker Brings Her Shoe Line to Zappos
Katy Perry Preps for the Super Bowl and More
- Super Bowl 2015: Fiat Advertises an ... Amorous New Car
- Super Bowl 2015: Idina Menzel's National Anthem Is Pretty Much Perfect
On Newsstands Now
- Matthew McConaughey: In His Own Words
- Jessa Duggar's Wedding Album
- Brittany Maynard's Final Days
Pick up your copy on newsstands
Click here for instant access to the Digital Magazine
People Top 5
LAST UPDATE: Sunday February 01, 2015 08:10PM EST
PEOPLE Top 5 are the most-viewed stories on the site over the past three days, updated every 60 minutes
- April 02, 1984
- Vol. 21
- No. 13
Auditioning for a Chorus Line, Dancers Cross Their Toes and Fingers
What director Sir Richard Attenborough and choreographer Jeffrey Hornaday were seeking out of that crowd was one row of dancers. Hornaday rules out the possibility of using dance doubles, the device that worked so well for him in Flashdance. "We think it would undermine the credibility of the piece," he says. "For Chorus Line we're not looking for special stars. We're trying to find uniquely individual chorus dancers." At the two open auditions—one in New York, one in Los Angeles—Attenborough and Hornaday were hunting for different physical types to play the various characters. They wanted unknowns. "A Chorus Line is about kids who have not yet made it but who might," Attenborough says. "If you had used a Shirley MacLaine or a Barbra Streisand in the film, the whole thing would be wrecked. Just watch these little faces and tell them they might be getting a job. They're really beautiful."
Having bounced around Hollywood for eight years, A Chorus Line is finally scheduled to go before the cameras this fall. For Attenborough, it is the first directing assignment since the epic Gandhi. He welcomes the change of pace. "A film like Gandhi strikes way beyond the ordinary entertainment context, with huge moral, ethical and political considerations," he says. "What's wonderful about this is that it's almost the antithesis." Other moviemakers have failed to come up with a workable cinematic approach to A Chorus Line, Attenborough contends, because "it's been so devastatingly successful as a piece of theater. The thing to do was to retain that quality. All the other scripts and all the other ideas seemed to blow that. We virtually will never leave the theater. The audience will carry out, in a way, their own interpretation of the kids' lives."
The stories of the kids on the line in the movie won't differ much from the stories of the kids on line outside the Royale Theatre, hoping for that chance to perform. For them, auditioning is a way of life. "It's great when you get it, because you know what the competition was like," says Mamie Duncan, 21. "If you don't get it, you know what the competition was like, so you have an excuse." One dancer, Susan Tenney, 24, spent $60 to rent a bear costume, hoping to catch Attenborough's attention. He noticed, but she wasn't called back. Those who matched the types the director and choreographer wanted were told they would be telephoned sometime this month to return for a more extensive audition. Lisa Pompa, 17, who had come in from Bridgeport, Conn., was one of the lucky ones. "This is the third audition I've had this week that said they would call us in March," she said. "I'm not leaving the house in March." Not without her dancing shoes.
January 31, 2015
Treat Yourself! 4 Preview Issues
The most buzzed about stars this minute!