Bill Rancic Defends His Wife Giuliana After Fashion Police Controversy: 'I Tried to Get Them to Release the Footage' 41 years, 2,185 covers and 55,435 stories from PEOPLE magazine's history for you to enjoy
- #IBelieveWeCanWin: Celebrities Cheer Team USA to Victory During the World Cup Final
- Read the Cover Story: Growing Up Kennedy!
Exclusive Family Photos from White House Nanny
- U.S. Beats Japan in Women's World Cup Final
- FROM TIME: Greece Votes Against Austerity, Putting Role in European Union in Jeopardy
- Simon Cowell's Mom, Julie, Has Died: We 'Will Miss Her Terribly'
On Newsstands Now
- Matthew McConaughey: In His Own Words
- Jessa Duggar's Wedding Album
- Brittany Maynard's Final Days
Pick up your copy on newsstands
Click here for instant access to the Digital Magazine
People Top 5
LAST UPDATE: Tuesday February 10, 2015 01:10PM EST
PEOPLE Top 5 are the most-viewed stories on the site over the past three days, updated every 60 minutes
- October 22, 1984
- Vol. 22
- No. 17
In a Magical Manhattan Exhibit, MOMA Curator William Rubin Brings Primitivism Right Up to Date
Rubin's thesis is no mere speculation. His second home is located near Plan-de-la-Tour in the south of France, a 50-minute drive from the town of Mougins, where Picasso lived. "I got to know him quite well," Rubin says of Picasso (who died in 1973). "He didn't like to talk about his art so you would have to slip in questions slyly."
How well Rubin succeeds in finding answers is reflected in a stunning MOMA exhibit titled "Primitivism" in 20th Century Art: Affinity of the Tribal and the Modern. To make his point, Rubin's show dramatically juxtaposes 147 works by such modern masters as Picasso, Matisse, Gauguin and Brancusi against 218 examples of African, Eskimo, Oceanic and American Indian art (see following pages). Assembled on a budget exceeding $1 million, the exhibit will be at MOMA until Jan. 15, moving then to the Detroit Institute of Arts (Feb. 27-May 19) and the Dallas Museum of Art (June 23-Sept. 1).
Accompanying the show is a two-volume, 700-page MOMA publication of the same title (cloth, $80; paperback, $30 until Jan. 30, $40 thereafter), edited by Rubin, 57, a onetime clarinetist who describes himself as a "disappointed orchestral conductor turned art historian." After earning a Ph.D. from Columbia, he taught at Sarah Lawrence College for 16 years ("Jill Clayburgh was a student of mine") before joining MOMA in 1967. Among his major exhibits was the acclaimed Picasso retrospective four years ago.
For the current Primitivism exhibition Rubin assembled pieces lent by museums and private collectors from around the world. "This is probably the first time a large number of tribal objects has been collected by someone whose interest is purely aesthetic rather than anthropological," Rubin says.
A dozen of the tribal works are from Picasso's own collection, much of which was of marginal quality in Rubin's view. "Picasso was not a big spender even when he became incredibly wealthy," Rubin says. "He rather liked the idea of getting something on the cheap. Of course, an object could be important to Picasso and not be a particularly good example of its type. As he said to me, 'You don't have to have a masterpiece to get the idea.' "
Treat Yourself! 4 Preview Issues
The most buzzed about stars this minute!