Star Tracks: Monday, May 16, 2016 42 years, 2,191 covers and 55,436 stories from PEOPLE magazine's history for you to enjoy
- Fit to Be Wed! Couple Gets Married at the 2016 CrossFit Games Complete with Paleo Cake
- Read the Cover Story: JFK Jr.: The John We Loved
- Kristen Stewart Opens Up About Girlfriend Alicia Cargile: 'Finally, I Can Feel Again'
- From ESSENCE: Latino Principal from South Bronx Urges Conversation in the Classroom Around Black Lives Matter
- Princess Charlene and Prince Albert Are Coming to America – Find Out Where!
On Newsstands Now
- Matthew McConaughey: In His Own Words
- Jessa Duggar's Wedding Album
- Brittany Maynard's Final Days
Pick up your copy on newsstands
Click here for instant access to the Digital Magazine
People Top 5
LAST UPDATE: Tuesday February 10, 2015 01:10PM EST
PEOPLE Top 5 are the most-viewed stories on the site over the past three days, updated every 60 minutes
- May 19, 1986
- Vol. 25
- No. 20
Roy Campanella Jr. Begins a Hit Streak of His Own as a Director of Tv Films
Not so. At 37, Roy Jr. is still hitting high averages, but he is doing it as a TV film director. "I'm as happy behind the camera as my father was behind home plate," says Roy the younger, whose directing stats already list nearly a dozen episodes for Dallas, Knots Landing, Lou Grant, Simon & Simon and Knight Rider. He co-produced the pilot of NBC's current sitcom success, 227, with Maria Gibbs, and he is writer-producer-director of Rites of Passage: The Making of Jo Jo Dancer, a 12-minute documentary on Richard Pryor's latest film, which is airing this month on HBO.
But his proudest effort to date is an hour-long documentary, Passion and Memory, to be shown this week on PBS (May 14 in most regions, though scheduling varies). As its producer, director, co-writer and co-editor, Campanella examines the role of black actors in Hollywood through the careers of Lincoln "Stepin Fetchit" Perry, Bill Robinson, Hattie McDaniel, Dorothy Dandridge and Sidney Poitier. His thesis: Despite being relegated to demeaning roles at the beginning—Fetchit as buffoon, McDaniel as perpetual housemaid—each of them transcended racial stereotyping to add a richness to American films. "Hattie McDaniel, for example, was more earth mother than [Scarlett's] servant and was at the very core of the success of Gone With the Wind," he argues. "She won the Best Supporting Oscar for it despite being told by an agent that she was 'too black and too ugly' to be in movies."
The Campanellas know about racial pioneering. In 1948 Campy became the first black to play in the minor league American Association, catching for the Dodgers farm team in St. Paul, where Roy Jr. was born. In midseason, Roy Sr. was called up to the parent Brooklyn club, 14 months after Dodger teammate Jackie Robinson broke the major league racial barrier. The elder Roy's on-field heroics ensured a comfortable life for his growing family (he would marry three times and have five children and three stepchildren). There would be big homes in the suburbs and a yacht. But the younger Roy can also recall the candy store that refused him service, the Florida hotels that turned his family away, the public pools in which he was not allowed to swim.
And there were family tragedies. In 1958, shortly before the Dodgers moved to Los Angeles, Roy Sr. was driving to his Long Island, N.Y. home when his car skidded on ice and struck a telephone pole. He was left paralyzed below the neck. "Even as a youngster," says his son, "I recognized the tragic proportions of what had happened. After the accident I was responsible for signing his autographs, because I'm Roy Campanella, too." Three years later his father and mother, Ruthe, separated, and two years after that Ruthe died unexpectedly of a heart attack. Roy Jr. was not yet 14.
No one in the family put pressure on him to try to pick up his father's career, which had been tragically cut short. As a baseball player, Roy Jr. says, "I played naturally, but I didn't feel gifted." Noting that Roy Sr., a three-time National League MVP, was inducted into Baseball's Hall of Fame in 1969, Roy Jr. adds, "The likelihood of my being as good as my father was highly improbable." Instead, he nurtured his love for movies, developed from his childhood habit of studying films by watching the same ones over and over on TV. Always a good student, he thrilled his father by enrolling at Harvard to major in anthropology—"the perfect academic discipline for someone who wanted to be a filmmaker. A good director," he says, "is a good people watcher." After graduating with honors in 1970, he started at Boston's WGBH before joining CBS, first as a film editor and later as an entertainment division exec. He picked up an MBA from Columbia University, then transferred to the West Coast, where he since has launched his own company, Morningstar Productions.
Divorced five years ago, Roy Jr. is now a single parent to two teens. They share a modest Beverly Hills apartment that is an easy drive to the Woodland Hills home of Roy Sr. and his wife, Roxie. (The senior Campanella, still wheelchair-bound, works in the Dodger organization as coach, instructor and community-relations executive.) His father's baseball fame, though, carries "no currency, opens no doors" for Roy Jr. today, which is the way he likes it. On a recent location-scouting trip he happened to pass a ballpark. "I'll bet you wish you were in there," a colleague said. "No," replied Roy Campanella Jr. firmly, "I want to be where I am right now."
- Lois Armstrong.
Treat Yourself! 4 Preview Issues
The most buzzed about stars this minute!