Bill Rancic Defends His Wife Giuliana After Fashion Police Controversy: 'I Tried to Get Them to Release the Footage' 42 years, 2,191 covers and 55,436 stories from PEOPLE magazine's history for you to enjoy
- #LoveWins: Twitter Shuts Down Old Navy Critics After Company Posts Ad Featuring Interracial Family
- Read the Cover Story: Prince, 1958-2016
- Jodie Sweetin Reveals Why She's Glad She's Not a Frontrunner on DWTS
- Misty Copeland Remembers Her Former Collaborator Prince: 'He Will Forever Live On'
- Smoothie the Cat Is Instagram's New Beauty Queen
On Newsstands Now
- Matthew McConaughey: In His Own Words
- Jessa Duggar's Wedding Album
- Brittany Maynard's Final Days
Pick up your copy on newsstands
Click here for instant access to the Digital Magazine
People Top 5
LAST UPDATE: Tuesday February 10, 2015 01:10PM EST
PEOPLE Top 5 are the most-viewed stories on the site over the past three days, updated every 60 minutes
- April 10, 1989
- Vol. 31
- No. 14
A Chicago Grad Student Strikes a Career High Note, Finding a Long-Lost Liszt
It seems that around 1839, Liszt, then 28 and already a public idol, wrote a number of concertos in preparation for a grand concert tour. But apparently he didn't play any of them, says Rosenblatt, who is writing his doctoral dissertation on Liszt. "I think he may have felt they were too musically adventurous." Later Liszt revised Concertos Nos. 1 (E-flat major) and 2 (A major), and both are now among the war-horses of the piano repertoire.
After his death in 1886, Liszt's papers were widely dispersed. Among the conservators was the Goethe and Schiller Archive in Weimar, East Germany, whose manuscript of the E-flat concerto has additional, seemingly unrelated music mixed in with it. The accepted view among Liszt scholars has been that these pages were early drafts the composer had meant to discard. But when Rosenblatt went to Weimar to research his dissertation last year, he made a painstaking examination and was persuaded otherwise. Though large segments of piano parts were missing, he believed the unpublished material represented a completely separate work.
Accompanied by his wife, Elizabeth, a flutist, Rosenblatt went to Budapest to continue his dissertation research. There he chanced upon a photocopy of another Liszt manuscript in the composer's own hand that had just been sent from Leningrad and was previously unknown to Western scholars. "I recognized it immediately," says Rosenblatt, spotting the piano parts that were missing in Weimar.
Together with still another manuscript page found in Nuremberg, West Germany, Rosenblatt reconstructed a "new" Liszt work. Now called the Concerto Opus Posthumous, it is scheduled for its world premiere by the Chicago Symphony next spring with Canadian pianist Janina Fialkowska as soloist. Meanwhile, Rosenblatt, who hopes to go on to college teaching, is already enjoying a measure of distinction among his colleagues. They are threatening to put a shingle outside his apartment reading JAY ROSENBLATT, FINDER OF LOST CONCERTOS.
Treat Yourself! 4 Preview Issues
The most buzzed about stars this minute!