Others were far more impressed. "She had absolutely no airs about her," says Ann-Margret, who costarred with Colbert in her final TV role, in the 1986 miniseries The Two Mrs. Grenvilles. "The long hours didn't daunt her at all." Adds American Film Institute cochairman George Stevens Jr., a friend: "Claudette had a wonderful sense of humor, and that translated onto the screen. She was jovial and did not take herself terribly seriously."
Not that she couldn't be demanding. Capra called Colbert "a tartar, but a cute one," and audiences adored her curled bangs, her big, round eyes and that throaty voice that always seemed to be saying, "Hey, boys, I wanna play too!" Born Lily Claudette Chauchoin in Paris on Sept. 13, 1903, she came with her parents to America—already despising her first name—at age 3, and by 1923, when she first came to Broadway, it was as Claudette Colbert. "Audiences always sound like they're glad to see me," she once told an interviewer, "and I'm damned glad to see them."
When the Depression turned theaters dark, she went to Hollywood. Her breakthrough came in 1934 in a film for which she was the director's fifth choice (Myrna Loy was first) and which she initially disdained. Later, accepting a Best Actress Oscar for It Happened One Night, she said, "I owe Frank Capra for this."
Colbert was proud of never having taken acting lessons. "I've always believed that acting is instinct to start with," she told The New York Times in 1978. "You either have it or you don't." She had it.
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