>Winters and Duvall [P] THE NAME'S THE SAME [P] CALL IT A TALE of two Shelleys: Shelley Duvall, producer of the acclaimed '80s TV series Faerie Tale Theatre, and Shelley Winters, owner of two supporting-actress Oscars and outspoken veteran of numerous Hollywood love affairs. Each returns to films this month, and in the same movie—The Portrait of a Lady, an adaptation of Henry James's 1881 novel, starring [CELEBRITY_LINK "Nicole Kidman"]. [P] Cast in minor roles, Winters and Duvall never crossed paths during the film's 3½-month shoot last year in Italy, but they were attracted to the project for the same reason: director Jane Campion {The Piano). "She asked," Duvall says simply. Notes Winters: "I have great admiration for Jane. I called her and auditioned." [P] At 74, Winters is no longer content to astound talk show hosts with her tales of wild nights with Errol Flynn, William Holden and Burt Lancaster. She wanted the role of the acerbic Mrs. Touchett, she says, because she has her film legacy to consider. "I've got four Oscar nominations and two Oscars [for 1959's The Diary of Anne Frank and 1965's A Patch of Blue•" says Winters. "And guess what? People know me from Roseanne, where I play her grandmother." She refuses even to discuss her recent turn in Pauly Shore's clunky Jury Duty. "I will only do small parts in distinguished films from now on," Winters declares. [P] Getting back into the act wasn't easy for Duvall, whose last major big-screen outings were in 1980 as Jack Nicholson's wife in The Shining and Robin Williams's Olive Oyl in Popeye. "My biggest problem was my own insecurity," says Duvall, 47, who learned Italian to portray Portrait's Countess Gemini. "In the end, all I did was think of what Jack Nicholson told me during The Shining. He said one word: fearlessness. I became fearless." [P]