updated 10/04/1989 AT 01:00 AM EDT
•originally published 10/04/1989 AT 01:00 AM EDT
King writes fiction but portrays an all-too-believable world where anything can turn on you and usually does: gurgling drains, malevolent Coke machines, razor-edged hockey sticks. He turns the quotidian into the creepy. Headlights twinkling "like insignificant yellow sparks in the night" signal the approach of Christine, an unholy Plymouth. Nothing is as unstoppable as one of King's furies, except perhaps King's word processor. In this decade alone he has spewed out 15 novels that have sold close to 15 million copies. And what of the unliftable? At 1,138 pages, It weighed in at 3½ pounds.
King's popularity reflects his uncanny ability to exploit the anxieties that swirl around the modern American family. His audience—and his victims—are baby boomers, a generation that has had to reconcile the buoyant fantasies of the '60s with the dismaying realities of the '80s. In King's novels, ordinary people suffer appallingly contemporary fates. A mind is blown out by a Walkman, a head julienned by a lawn mower.
No other best-selling novelist has obliterated so many innocents, but never has disaster seemed such a part of everyday life. At least, in our last gasp of optimism, all of us can wish better fates for ourselves. But wait a minute. Wasn't your wife due home from the K Mart hours agot?