Colette Lives in the Kind of Fairytale World She Creates in Her Art, but Don't Smoke in Bed
updated 04/09/1979 AT 01:00 AM EST
•originally published 04/09/1979 AT 01:00 AM EST
Some critics take an irreverent view of her art even though it has been displayed in both the Museum of Modern Art and the downtown Whitney. "What she is doing is perfectly legitimate, perfectly passé and totally harmless," says one. Colette retorts, "The power of my work is being there and experiencing it." She would duplicate her spectacular living room for a client for $25,000—no takers yet.
For defacing public streets with drawings of noses and lips or squiggles of pastel paint, she has been arrested more than half a dozen times. On her right hand is tattooed an arrangement of pink and blue dots and curvy dashes that she translates as "deadly feminine."
This past winter Colette staged Ripping Myself Off at New York's Victoria Falls boutique, in which she portrayed a figure titled Justine (for Justice) who was "raped" by a male model representing the commercial world. "I have had boyfriends go into design and take all my ideas," she complains peevishly. "I did dresses of parachute material in 1970 and then they turned up everywhere. Even the Victorian look, which is all over the place now, I did first. My friends say, 'Colette, you should be so happy influencing people.' But everybody's making money off my ideas."
Colette was born in Tunisia, where she remembers scribbling on walls as a child, the daughter of an architect, Joseph Marcel Suid. Her family moved to Nice when she was 4, then to Passaic, N.J. She graduated in 1968 with a degree in art education from William Paterson College. "I never really felt part of my family," she says now. "From the beginning I felt different from everybody. We had an Arab maid and I used to cling to her. They called me the Bedouin because I didn't put shoes on. I'm sure North Africa has influenced my work."
Colette's desire now is to create a permanent room for a museum. "My work has always been destroyed," she says. "I would like to do something more lasting. I have given the world free art. But people are used to paying for trash."