Were the '60s almost two decades ago? It seems impossible, especially after seeing those turbulent times evoked so perfectly in this film. Bette Midler is positively electric as a rock star whose life is "like a grenade range," stirring up memories of Janis Joplin without usurping any of her songs. Miss M manages to make the talented, vulnerable Rose wholly her own creation. The sound track showcases her wonderfully versatile voice, while her comic and dramatic flair is remarkable for a film debut. She is supported by Alan Bates as her scheming manager and Frederic (Apocalypse Now) Forrest, excellent as the Army deserter she falls in love with. The only thorn in The Rose is its length—about 20 minutes too long. Director Mark (Cinderella Liberty) Rydell establishes such a high energy level that the pace seems almost sluggish once Rose begins to wither. Still, having set out to make the Cabaret of the '60s, he comes within one of Midler's bright orange hairs of succeeding. (R)
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