Armand Assante May Fiddle with Jackie Smith in Rage, but He's a Family Man at Heart
updated 02/28/1983 AT 01:00 AM EST
•originally published 02/28/1983 AT 01:00 AM EST
Assante also found his Rage of Angels co-star, Jaclyn Smith, appealing. "I think she's gifted and quite serious about her work," he observes. But there was not much mingling after-hours. Smith was preoccupied with her husband, Tony Richmond, and baby Gaston, while Assante was rushing home each night to see budding actress Karen McArn, 23, whom he married a year ago. From the moment he first saw McArn at an L.A. restaurant in October 1981, Assante says, he knew "There's my wife." McArn recalls noticing "this person all evening, standing at the door, appearing in different corners, and then across the street—but it didn't dawn on me that he was interested in me." Not until Assante, unshaven and clad in a leather jacket, handed her a note with his telephone number, suggesting dinner. "I'd never heard of Armand," recalls Karen, who has since earned a B.A. degree in drama from the University of Southern California. "I wasn't impressed at all. I thought he was a Hell's Angel."
But something must have intrigued her—maybe the same thing that appeals to casting agents—because a few days later Karen called. "His whole manner was very, very serious," she recalls. "I was a little scared by that. Here I'd met men who weren't serious about anything but life in the fast lane. He was just honest and romantic, and I grew to trust him." They dated for six months and then separated for four months while Armand worked in New York on the movie I, the Jury. The separation was the needed catalyst. "I wanted to give her the opportunity to decide," says Assante. "She certainly needed more time than I did. After the separation, we both came to the conclusion it was time to be together again." Karen then accompanied him to New York for the play Kingdoms, in which he played Napoleon. It closed two weeks after opening on Broadway. Two months later they wed. They are expecting a child in May. "I've always known I belong with a woman in a marriage," says Armand, "because I come from a family with deep and long-lasting relationships."
Armand's Italian-American father is a painter who once earned a living as a New York ad agency executive; his Irish-American mother is a music teacher. Raised first in Manhattan and then in rural Cornwall, N.Y., Assante skipped college and instead studied acting at the American Academy of Dramatic Arts in New York City. Since then he has consistently had work, including stage roles in classics such as Romeo and Juliet and parts in a string of mostly forgettable films. His best-known movie role was as the French doctor in Private Benjamin, but the successful picture nearly pigeonholed the New Yorker as a Frenchman in Hollywood. "The film closed as many doors to me as it opened," he cracks. A great personal disappointment was last year's I, the Jury, in which Assante played private eye Mike Hammer in a blood-soaked thriller that bombed at the box office. "I didn't regret anything I did, but I disputed from the outset all that violence," he says. "I requested that it be edited out—it didn't belong. I was very upset about it."
Assante is now studying the violin for 90 minutes a day (on top of two daily hours of stretching exercises) to prepare for his next role, a remake of the classic 1948 comedy Unfaithfully Yours. Assante plays the first violinist in an orchestra whose conductor (Dudley Moore) suspects that Armand is having an affair with his wife (Nastassia Kinski). "I'm very musically inclined but I never went near a violin," says Assante, an accomplished guitarist who writes ballads and is working on a musical. "I had to work very hard just to mime the instrument." A dedicated actor who carefully researches his characters, Assante these days has doffed his usual "bummy" attire in favor of the tailored suits of a natty aesthete. He loves the discipline of acting. "It's what makes the day work for me, to do what I've set out to do," he says. "I'm a much happier person at the end of the day. It's my nature."
At one time Armand's nature led him to troubled self-questioning, inspiring him to read Eastern philosophy, undergo Jungian dream analysis, and suffer "confusion and pain" about his acting career. Now he seems more earth-bound. He has little time these days to read anything but scripts, and one of his major concerns is whether to supplement his two-bedroom Manhattan condo and L.A. bachelor pad with a 146-acre, two-pond, 200-year-old New York farm that "from a distance looks like a Currier and Ives print." The farm, only an hour's drive from New York City, provides "a place for togetherness," says Karen, who still studies acting with Armand's mentor, Mira Rostova. It's a far cry from Armand's bachelor days, when his romance with Dyan Cannon put him in the gossip columns. "She got more publicity off me," he quips. "We just dated for about a year, but it was blown out of proportion." During that period he was working on so many movies, he recalls, "I was never around. There was no way a woman could have gotten to me." Until Karen, he insists, he never met a woman he considered marrying. "Then I was not at peace with myself, I was in turbulence," he explains. "I feel like a different person now."