Picks and Pans Review: Hideaway
In this sci-fi thriller based on a Dean Koontz best-seller, Goldblum is miraculously brought back to life after a car accident. But, as attending physician Alfred Molina warns Golblum's wife (Lahti), "He may seem different to you."
Now here's a doctor who can make a diagnosis. Goldblum's brief journey to the other side has inexplicably given him a psychic connection to a mad killer (Jeremy Sisto). He frequently can see and feel what Sisto sees and feels. Moreover, Sisto can see through Goldblum's eyes.
What the killer sees is a fresh victim: Goldblum's beloved teenage daughter (Alicia Silverstone). Consumed by terrifying visions and nightmares made palpable by ludicrous special effects, Goldblum becomes more and more convinced that Silverstone is in imminent mortal danger. Everyone else, meanwhile, is becoming more and more convinced that Goldblum is rowing with only one oar.
Even in the most bizarre, twisted tales, there must be a seedbed of logic. No such thing here. More delicate direction would have been appreciated. Hideaway begins on such a feverishly portentious note that it has no place to go but out of control, and the pervasive soundtrack, which sounds like a migraine, is no aid to the cause.
Goldblum, all wild eyes and unkempt hair, has the look of a man about to turn into a werewolf, and Lahti is stuck playing the unrewarding role of supportive-skeptical-scared wife. (R)