Picks and Pans Review: Jazzmatazz

UPDATED 11/15/1993 at 01:00 AM EST Originally published 11/15/1993 at 01:00 AM EST

Guru

In Jazzmatazz's artistic-statement-ahead intro, rapper Guru declares, "This is an experimental fusion of jazz and hip-hop," adding with professional seriousness that hip-hop, like jazz, is a "cultural expression based on reality."

No matter what Guru's intent, you can't deny Jazzmatazz's groove. He hooks up with musicians Branford Marsalis, Courtney Pine, Roy Ayers, Donald Byrd and singers N'dea Davenport (who steals the show on the sassy "Trust Me") and Carleen Anderson. The result is more acid jazz (a hybrid of rap, funk and jazz) than traditional jazz and not half as experimental as Guru would like you to think, but the excursion has its fluid, funky moments. Among them: "Transit Ride," a subway travelogue that's sure to upset New York City officials, and "Le Bien, Le Mal," a showcase for the U.S. debut of Parisian star MC Solaar. A French-speaking rapper throwing down over American pop/jazz tracks says more about hip-hop's importance than any of Guru's well-intentioned preaching. (Chrysalis)

Your Reaction

Follow Us

On Newsstands Now

Brad's Devotion: The Inside Story
  • Brad's Devotion: The Inside Story
  • Oklahoma Tornado: Heroic Rescues
  • Michael Douglas on Catherine's Health

Pick up your copy on newsstands

Click here for instant access to the Digital Magazine

Advertisement

From Our Partners

Watch It

Editors' Picks

From Our Partners